Cat Powerrr.... or Life as an Adult with Braces
More or less...
"The Greatest", Cat Power's latest album, comes out today. Being the totally awesome person I am, I downloaded it YESTERDAY for free. It was illegal, I'm aware. Chuck D summed it up so well when he said, "If a student has a choice between buying a CD or Wendy's, fuck man, he'll choose Wendy's everytime." So with a classic double (no pickles, no mustard) in hand, I listened to Chan's new album with great excitement and anticipation. As the album went on, though, I found myself biting my lip and looking side to side, totally confused. I knew previously that Chan was working with some all time great blues musicians who worked with Aretha Franklin blah blah. In other words, professionals. People you see backing up that white mo town guy with the beard. People that you yell "Brown Eyed Girl in A flat" to and they all start playing; complete with cheesey guitar riff fillers and a horn section dancing in rhythm. This seems like an likely collaboration, but I thought they would conform to Chan's style and it'd be totally fucking sweet. Unfortunately, it's more like Cat Power made a really cheesey adult contemporary album. I'm pretty sure I'm going to hear "Lived in Bars" at my orthodontist's office. Chan Marshall, famous for her breaking of musical conventions and of all things normal in general, has an album she recorded with Jesse and the Rippers. What is this? It's NUTS, just BONKERS
I had a big scary meeting earlier in the evening with the Editor-in-Chief of the Buzz and other important people about the Calendar. I recently got promoted and am now "Music Event Calendar Coordinator." This fancy title basically lets you know I fill in a spreadsheet of all the music events on campus... real important stuff. In this meeting, actually, one would be lead to believe it was all, indeed, very important. I'm a part of this grand offensive to destroy the competitor papers' calendar section. This involves slitting tires, throats, and anything else. It is really important to have the most comprehensive calendar in town. "It'd be huge to have the most comprehensive calendar in town" one of the members exclaimed in a fit of pure passion. They then began talking in acronyms and other jargon and I realized I have no idea what is going on. Since writing for the Buzz, I've never had any orientation, general meeting, training, or anything. I've been blindly feeling at the walls and stumbled into an 'editorial position'; I feel like Mr. Magoo. At this moment I feel it's all going to come crashing down. As they talk about formatting and draft templates I imagine how I'll be fired. I wonder if my superiors will be sympathetic or angry. I'd rather them be pissed, but I feel it'd be condescending... they'd pity me for being incompetent. I feel out of place as I feel my braces with my lips and try to figure out what is going on.
"You know, there's a time when people stop seeing you as a kid. You're in college and this is when you start getting treated like an adult. Nobody's going to scold or yell at you for anything." My mom told me this this afternoon. It was about piano lessons, but still connected loosely. I'm supposed to be a grown-up this days. I'm supposed to be taking my life and constructing it into something tangible and... adult. In the meeting I realized that occasionally writing funny music snob pieces that have imaginary dialogues and fart jokes isn't going to cut it anymore. I have to be structured and organized. I just can't run around all day and work when I want to. I have to do a kind of real job, working with people who definately think their jobs are real. It's all very uncomfortable and it makes me feel like I'm 9.
Cat Power has shown me my existence today. At first I was unstructured and free. Simple and unrestrained. I've always wanted to do things differently, make myself known in that regard. But now this free self is being forced to fit into this very set, very adult form for the sake of keeping a job and persuing a career. My simple piano melodies are now laced with unnecessary drum rolls and over produced horn blasts. My voice is held up with the help of a row of three dancing women in sparkly dresses wooing in harmony. It's really awkward, seems dumb, and horribly unnatural. I don't know... maybe it isn't supposed to be that way, but maybe it's necessary to go through this stage so all the rules can be broken again...
I don't know what that means at all... I still don't like "The Greatest" or my job very much. I would however, like being editor and listening to another good Cat Power album, so I guess I just have to trudge through both, because I need to if I want to get to that next, more appealing step.
